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	<title>陶瓷藝術園區 &#8211; 閱讀女子</title>
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		<title>陶博館 陶瓷藝術園區介紹</title>
		<link>https://thereadingwoman.com/%e9%99%b6%e5%8d%9a%e9%a4%a8-%e9%99%b6%e7%93%b7%e8%97%9d%e8%a1%93%e5%9c%92%e5%8d%80%e4%bb%8b%e7%b4%b9/</link>
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		<dc:creator><![CDATA[閱讀女子]]></dc:creator>
		<pubDate>Sun, 24 Aug 2025 08:21:24 +0000</pubDate>
				<category><![CDATA[閱讀世界]]></category>
		<category><![CDATA[閱讀台灣]]></category>
		<category><![CDATA[遠得要命廁所]]></category>
		<category><![CDATA[陶瓷藝術園區]]></category>
		<category><![CDATA[鶯歌]]></category>
		<category><![CDATA[鶯歌陶瓷博物館]]></category>
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					<description><![CDATA[別有洞天、頗具看點的陶瓷藝術園區 整棟陶博館逛完後，別忘記從一樓大門另一側出去，還有陶瓷藝術園區。 下方照片是 [&#8230;]]]></description>
										<content:encoded><![CDATA[
<h2 class="wp-block-heading">別有洞天、頗具看點的陶瓷藝術園區</h2>



<p>整棟陶博館逛完後，別忘記從一樓大門另一側出去，還有陶瓷藝術園區。</p>



<p>下方照片是館內一樓通往二樓時會經過的「玻璃長廊」，取自<a href="https://tcmb.culture.tw/zh-tw/detail?indexCode=online_metadata&amp;id=108096" target="_blank" rel="noreferrer noopener">隧道窯</a>的意象，標記陶工的辛勤努力，從外面看原來長這樣。</p>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="768" height="1024" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867815_0-768x1024.jpg" alt="" class="wp-image-1252" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867815_0-768x1024.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867815_0-225x300.jpg 225w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867815_0.jpg 1108w" sizes="(max-width: 768px) 100vw, 768px" /></figure>



<p>尚未進入陶瓷藝術園區前，附近有件作品，名字是「白日夢的旅行」。</p>



<p>在告示牌上藝術家這麼說明：「我從工作室看向窗外，看著整天玩耍的孩子們，不論下雨還是晴天都有人撐著傘，孩子們總是天真地大笑。我試圖感受並且品嚐這一切。當我將這些感想帶回工作室時，我便開始將這漫長的旅程編織成一則故事。」</p>



<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="768" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867816_0-1024x768.jpg" alt="" class="wp-image-1254" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867816_0-1024x768.jpg 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867816_0-300x225.jpg 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867816_0-768x576.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867816_0.jpg 1477w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>陶瓷藝術園區的入口。</p>



<p>陶瓷藝術園區延續陶博館清水模設計理念，根據陶瓷的要素，分成風、火、土、水四個廣場。裡面有陶瓷大型公共藝術、兒童戲水區、提供民眾輕鬆與陶瓷藝術互動的空間。</p>



<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="768" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867814_0-1024x768.jpg" alt="" class="wp-image-1253" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867814_0-1024x768.jpg 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867814_0-300x225.jpg 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867814_0-768x576.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1867814_0.jpg 1477w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>園區入口左手邊，是比利時藝術家安‧凡‧雷伊的作品，名稱是「共聚之門」，由707件的陶瓷組合而成。分開有各自的美，組在一起也有其魅力。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769478_0-1024x768.jpg" alt="" class="wp-image-1231" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769478_0-1024x768.jpg 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769478_0-300x225.jpg 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769478_0-768x576.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769478_0.jpg 1477w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>步入園區，有座大型公共藝術吸引我的目光。</p>



<p>根據導覽老師解說，這是來自阿根廷的維瑪.維爾拉佛德在陶博館駐村時的創作，名為「福爾摩沙小姐」。<br>體操選手在示範鞍馬，身體上半部與下半部就像是分開了一樣，下方的「鞍馬」是衛浴設備的部分。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769479_0-1024x768.jpg" alt="" class="wp-image-1232" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769479_0-1024x768.jpg 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769479_0-300x225.jpg 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769479_0-768x576.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769479_0.jpg 1477w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>馬賽克拼貼的繽紛作品，是由參與的學生陸續拼貼而成。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769481_0-768x1024.jpg" alt="" class="wp-image-1234" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769481_0-768x1024.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769481_0-225x300.jpg 225w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769481_0.jpg 1108w" sizes="(max-width: 768px) 100vw, 768px" /></figure>



<p>家長和小孩最喜歡的，應該就是戲水池了。</p>



<p>這是2006年，由美國陶藝家維吉尼亞.史考琦所設計。他在2003年曾以拜訪藝術家的身份來到鶯歌，對此地蓬勃的陶瓷文化和產業印象深刻，而陶博館是這一切的中心，給予他「永恆浮動之球體」的創作靈感。</p>



<p>水池裡五十個上了玻璃釉的陶藝球體，反映了鶯歌的五種主要陶瓷用途(藝術、建築、日用、衛生與工業)，而藝術家也以來自鶯歌本地的陶瓷和彩釉資源來製作球體。此外，球體是一種普遍形狀，象徵結合了玩笑和歡樂；陶土球體也是陶工開始製作陶器的初體。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769485_0-768x1024.jpg" alt="" class="wp-image-1238" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769485_0-768x1024.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769485_0-225x300.jpg 225w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769485_0.jpg 1108w" sizes="(max-width: 768px) 100vw, 768px" /></figure>



<h2 class="wp-block-heading">絕佳打卡點：許願糖果牆和遠得要命廁所</h2>



<p>如果喜歡打卡、拍網美照，務必要走到藝術園區的最深處，來一探「<a href="https://tw.news.yahoo.com/%E5%85%A8%E8%87%BA%E5%94%AF-%E8%A8%B1%E9%A1%98%E7%B3%96%E6%9E%9C%E7%89%86-%E6%88%90%E7%B6%B2%E7%BE%8E%E6%99%AF%E9%BB%9E-034020155.html" target="_blank" rel="noopener">許願糖果牆</a>」。</p>



<p>這面牆的起源，是2020年因爲<a href="https://www.youtube.com/watch?v=lIHtruwROng" target="_blank" rel="noopener">疫情</a>而閉館，館方製作泥漿球體，邀請民眾在球上寫下心情，為疫情祈福，再由館方統一燒製。兩面牆面共計超過兩萬顆球體，十分壯觀。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769486_0-1024x768.jpg" alt="" class="wp-image-1239" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769486_0-1024x768.jpg 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769486_0-300x225.jpg 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769486_0-768x576.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769486_0.jpg 1477w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>穿越「許願糖果牆」後還有驚喜：<a href="https://art.ltn.com.tw/article/paper/1486017" target="_blank" rel="noopener">「遠得要命」廁所</a>。</p>



<p>這個戶外廁所是陶博館使用率最低的廁所(這麼偏遠，好像也頗合理)，後來陶博館參考美國的廁所駐村計畫，邀請數位藝術家進行創作，將廁所塑造成藝術空間。</p>



<p>下圖是日本陶藝家胡宮雪娜的作品。創作理念是將陶器擬人化，製作出讓人感到活潑而親切的標誌。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769487_0-768x1024.jpg" alt="" class="wp-image-1240" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769487_0-768x1024.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769487_0-225x300.jpg 225w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769487_0.jpg 1108w" sizes="(max-width: 768px) 100vw, 768px" /></figure>



<p>女廁裡的作品「雨天」，由台灣陶藝家<a href="https://www.ninenine.org/teacher/60-chen-wei-chu" target="_blank" rel="noopener">陳韋竹</a>創作。希望大家和穿黃色雨衣的兔子，一起享受雨天的美好。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769489_0-768x1024.jpg" alt="" class="wp-image-1241" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769489_0-768x1024.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769489_0-225x300.jpg 225w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769489_0.jpg 1108w" sizes="(max-width: 768px) 100vw, 768px" /></figure>



<h2 class="wp-block-heading">「台灣國腳」示範「傳統腳踢轆轤」</h2>



<p>我個人認為陶瓷藝術園區最不能錯過的，是<a href="https://www.peopo.org/news/798154" target="_blank" rel="noopener">「台灣國腳」詹國祥老師</a>示範「傳統腳踢轆轤」。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769490_0-1024x768.jpg" alt="" class="wp-image-1242" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769490_0-1024x768.jpg 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769490_0-300x225.jpg 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769490_0-768x576.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769490_0.jpg 1478w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>詹老師十分親切健談，邊熱情向導覽老師和我分享陶藝知識，邊走過去調整大型電風扇對著我們吹，一本正經表示：「抱歉，裝冷氣的預算還沒到，有點熱。」聽得我們一愣一愣，想說這麼大的戶外空間要裝冷氣啊，老師噗哧一笑才知道是開玩笑。</p>



<p>很敬佩老師耐著高溫酷暑，還能一遍遍笑咪咪地對訪客示範腳踢轆轤，閒聊中還特地為我們調整電風扇，何等的修養。</p>



<p>老師說明這個腳踢轆轤是自己用泥漿、鬃鬚和竹編做的，已經用壞好幾個，目前這是第四個。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769491_0-768x1024.jpg" alt="" class="wp-image-1243" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769491_0-768x1024.jpg 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769491_0-225x300.jpg 225w, https://thereadingwoman.com/wp-content/uploads/2025/08/S__1769491_0.jpg 1108w" sizes="(max-width: 768px) 100vw, 768px" /></figure>



<p>旁邊這兩個高大的花瓶，是用「手擠胚」(又稱 「圍泥條」)的方式製作而成。</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="570" src="https://thereadingwoman.com/wp-content/uploads/2025/08/截圖-2025-08-24-下午3.29.23-1024x570.png" alt="" class="wp-image-1292" srcset="https://thereadingwoman.com/wp-content/uploads/2025/08/截圖-2025-08-24-下午3.29.23-1024x570.png 1024w, https://thereadingwoman.com/wp-content/uploads/2025/08/截圖-2025-08-24-下午3.29.23-300x167.png 300w, https://thereadingwoman.com/wp-content/uploads/2025/08/截圖-2025-08-24-下午3.29.23-768x428.png 768w, https://thereadingwoman.com/wp-content/uploads/2025/08/截圖-2025-08-24-下午3.29.23-1536x856.png 1536w, https://thereadingwoman.com/wp-content/uploads/2025/08/截圖-2025-08-24-下午3.29.23-2048x1141.png 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>



<p>示範區旁邊的牆壁上，有許多老師受訪的報導，老師也熱情補充許多相關知識。</p>



<p>出身鶯歌阿南坑的詹國祥老師，父親翁成來是鶯歌知名陶師。父子兩代、兄弟四人都是製陶名師。(因詹老師小時家貧被送養故從母姓，五歲時在父母堅持下帶回養育)</p>



<p>八歲時因大環境改變，一家跟著父親的友人(王漢騰師傅)到<a href="https://tcmb.culture.tw/zh-tw/detail?indexCode=Culture_Event&amp;id=332685" target="_blank" rel="noopener">苗栗爐記陶器工廠</a>工作(老師稱為「一輩子的貴人」)。兄弟四人也隨父習陶，一家住在工廠裡。從生活陶學到酒甕，記憶漸漸精熟。</p>



<p>回憶過往，以前爸爸在做陶時，負責在旁腳踢轆轤的就是媽媽。為保持平衡，會手拉一條草繩。踢久會腰痠背痛，四兄弟就幫忙輪流，不知不覺也學會這一門手藝。(老師開玩笑表示，當時這樣搭擋腳踢轆轤的夫妻，都不會吵架，是模範夫妻)</p>



<p>後來一家輾轉又回到鶯歌生活，轉向藝術陶的製作。爸爸去<a href="https://tcmb.culture.tw/zh-tw/detail?indexCode=Culture_Organization&amp;id=334716" target="_blank" rel="noopener">北投中華陶瓷</a>，詹老師則進入當地的<a href="https://www.economic.ntpc.gov.tw/FactoryTravel/Detail/18" target="_blank" rel="noopener">市拿陶藝</a>，開始學做仿古花瓶。歷經很多家的磨練，以及按件計酬的辛苦，終於磨鍊出一身扎實的工夫。</p>



<p>長大後聽媽媽說才知道，當時是媽媽堅持要把送養的自己找回來，全家一起去苗栗，「這身功夫是媽媽給的」。爸爸很嚴肅，但想念他時，「就去陶博館二樓常設展的影片看他。」</p>



<p>「人生就像這個大花瓶，一段一段去完成，就把它塑造成完美，把人生的過程裝在裡面。」回憶過往人生，詹老師滿滿感恩之心，即使已從事陶藝工作超過半世紀，仍時常思考，如何用擅長的拉胚去突破比較難的造型。</p>



<p>而詹老師的心願之一，就是希望能找到想傳承手藝的弟子，讓這一門手藝能繼續傳承下去。祝福詹老師能如願找到傳承衣缽的弟子，讓這門技藝能流傳下去。</p>



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